In 1947, two years after the end of World War II, the country was shifting gears from the concerns of war. The veterans were beginning to feel more like civilians again, and attention was turning to more pacific pursuits. In Rockford, Ann Marshall Wiley founded the Rockford Writers' Guild in the fall of that year. According to the earliest bylaws, the purpose of the Guild was to stimulate good writing in this community through fellowship and workshop activities. Dues were set at $1 per year.

Prospective members, if they had not yet been published, submitted samples of their writing to the Steward of Admissions, and that officer would make recommendations regarding membership.

Charter members included Evelyn Johanson Boettcher and Vera Nordquist-Rabe who are still members, Howard White who was a long-time good friend of the Guild, and Justina Yankaitis whose daughter-in-law, Mary Lou, is currently a member of the Guild.

The Sampler, an anthology of poetry by Guild members, was published from the first year, 1947, through 1958. The cover of each issue resembd a traditional needlework sampler. In addition to writing for the Sampler, several members published their own books of writings. Many contributed to columns in the Rockford Register-Republic and to columns in Chicago papers. Members of the Guild read their work monthly on WROK radio station.

The Guild held an annual poetry contest, and the winning pieces were selected to create a hanging exhibit of poetry to be shown at the Burpee Art Gallery or at the Rockford Public Library. Poems were typed in very large print and the pieces were matted. The best poems were selected for the Sampler.

Poetry round-table workshop sessions were held by the Guild weekly at the Rockford Public Library. Prose round table workshops were held monthly and were not for the faint-hearted. One began at 2:30 p.m. and continued after dinner from 7:00 p.m. to 9:00 p.m. Members also served as judges for high school student writing contests.

A newsletter was published by Howard White monthly except during the summer. Writings from members were included, contests were announced, and markets were noted. Successes of members were celebrated, and information regarding members who had moved from Rockford was shared.

The Guild was reorganized in the 1960s. Many of the same people who were originally active again held critique groups, workshops, and social events. The annual Sampler was reborn as The Rockford Review. The format was changed from 4" x 6" to 8" x 11" and included prose, photographs, and drawings as well as poetry. The covers featured photographs or art work. Volumes appeared in 1971, 1976, 1978, 1981, 1983, 1986, and 1988. Volume VII attracted national attention and was featured in that year's Poets Market. With Volume VIII in 1989, the Guild committed itself to publishing the Review annually. The format was changed to 5" x 8" and was perfect-bound.

In 1991, The Tributary, usually 24 pages, appeared three times a year for three years in addition to the larger REVIEW, allowing the Guild to publish more writers. Then in 1994, the commitment was made to fold the Tributary into the Review to become a tri-quarterly literary magazine with stitched binding. The spring issue of the Review is reserved for the works of members only who submit their best unpublished piece, and publication is guaranteed.

A recent issue of the Review contained poetry and prose from 34 writers from 17 states and Scotland. Selections were made from hundreds of submissions from the United States and other countries.

The Guild is a not-for-profit organization. Its updated bylaws state, "The purpose of this Guild shall be to promote the art of writing and to encourage those who wish to pursue this art."

The monthly newsletter, "Write Away," is a vital link for the 125 members scattered across the country, keeping them informed of contests, markets, and the successes of other members. In fact, the Guild celebrates the successes of all writers, whether or not they are members.

The advent and popularity of the internet opens many opportunities for writers to stay in touch, to critique each others' works, and to exchange news. Writers are encouraged to explore this new tool and be open to its possibilities.